2016 Music Rewind

For much of this year I felt as though I was not able to keep abreast of music releas­es well enough to even pick favorites. Then sud­den­ly towards the end of the year I came across sev­er­al real­ly great releas­es and A Tribe Called Quest dropped their first album in years which turned out to be amaz­ing. Who knows, anoth­er great album might get released in the few remain­ing days of 2016…

The Body — No One Deserves Hap­pi­ness
Start­ing off qui­et and dark like Miran­da Sex Gar­den, this album soon gives way to slow-crush­ing heavy gui­tar glac­i­ers. Almost like Swans in the 90s turn­ing back into Swans in the 80s.

Con­tin­ue read­ing “2016 Music Rewind”

2015 Music Rewind

Here’s my list of favorite releas­es for this past year, pre­sent­ed in alpha­bet­i­cal order:

Lucre­cia Dalt — Ou
This is filmic, cin­e­mat­ic music. Sounds creep in and out of view with the seam­less rhythm of the best film edi­tors. Tex­ture and grit are key ingre­di­ents but har­monies do some­times emerge to lend a famil­iar emo­tion­al anchor to the abstrac­tion. There’s a radio­phon­ic woozi­ness that bathes the whole affair in nos­tal­gia.


Con­tin­ue read­ing “2015 Music Rewind”

2014 Music Rewind

There were so many inter­est­ing album releas­es in 2014 I felt I could bare­ly keep up. In fact, I was still adding titles to my Best of 2014 con­tenders list late into Decem­ber. Here are some of my favorites, in alpha­bet­i­cal order:

The Bug — Angels & Dev­ils
Kevin Mar­tin returns to his The Bug alias for a full length LP and sev­er­al EPs worth of mutant bass music in 2014. More than any oth­er elec­tron­ic music pro­duc­er, Kevin under­stands the equal impor­tance of mass/weight and tex­ture. Both aspects are deployed extreme­ly effec­tive­ly whether the track is an atmos­pher­ic snarling dub-wise bass mantra or a neck-snap­ping mutant-dance­hall-cum-grime firestarter.

Con­tin­ue read­ing “2014 Music Rewind”

2013 Music Rewind

Time, once again, to review some of my favorite music releas­es from the past year (pret­ty much the only reg­u­lar fea­ture of this “blog”). 2013 was a very fruit­ful year for alt-R&B/future-R&B as well as for Chica­go-Lon­don bass hybrids. All the usu­al caveats apply. There is always too much music to hear all the great releas­es in a year but these grabbed me more than the rest. I look for­ward to read­ing all the oth­er lists to catch up on what I missed.

Chants — I Feel Like I Feel It
If mem­o­ry serves, I heard about this release via dj /rupture’s Mudd Up blog. The most obvi­ous sign­posts are Shlohmo or Origa­mi Sound’s post-Bur­ial sound­scapes but Chants man­ages to make an elec­tron­ic music album that sounds extreme­ly per­son­al and expres­sive. There is a strong enough iden­ti­ty to shrug off easy com­par­isons.

And the pric­ing starts at zero dol­lars: http://hushhushrecords.bandcamp.com/album/i-feel-like-i-feel-it
Con­tin­ue read­ing “2013 Music Rewind”